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"A classic of the genre."--New York Times The 30th anniversary
edition of Tobias Wolff's extraordinary memoir (SF Chronicle), now
with a new introduction by the author. Thirty years ago Tobias
Wolff wrote a memoir that changed the form. The "unforgettable"
(Time) This Boy's Life is the story of the young,
tough-on-the-outside but vulnerable Toby Wolff. Separated by
divorce from his father and brother, Toby and his mother travel
from Florida to Utah to a small village in Washington state, with
many stops along the way. As each place doesn't quite work out,
they pick up to find somewhere new. In the story of their journey,
Wolff masterfully recreates the frustrations, cruelties, and joys
of adolescence and presents a deeply poignant exploration of
memory, dreams, and how we create a self.
Whether he is evoking the blind carnage of the Tet offensive, the theatrics of his fellow Americans, or the unraveling of his own illusions, Wolff brings to this work the same uncanny eye for detail, pitiless candor and mordant wit that made This Boy's Life a modern classic.
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Old School (Paperback)
Tobias Wolff
2
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R337
R273
Discovery Miles 2 730
Save R64 (19%)
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Ships in 9 - 15 working days
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At one prestigious American public school, the boys like to
emphasise their democratic ideals - the only acknowledged snobbery
is literary snobbery. Once a term, a big name from the literary
world visits and a contest takes place. The boys have to submit a
piece of writing and the winner receives a private audience with
the visitor. But then it is announced that Hemingway, the boys'
hero, is coming to the school. The competition intensifies, and the
morals the school and the boys pride themselves on - honour,
loyalty and friendship - are crumbling under the strain. Only time
will tell who will win and what it will cost them.
The protagonist of Tobias Wolff's shrewdly--and at times
devastatingly--observed first novel is a boy at an elite prep
school in 1960. He is an outsider who has learned to mimic the
negligent manner of his more privileged classmates. Like many of
them, he wants more than anything on earth to become a writer. But
to do that he must first learn to tell the truth about himself.
The agency of revelation is the school literary contest, whose
winner will be awarded an audience with the most legendary writer
of his time. As the fever of competition infects the boy and his
classmates, fraying alliances, exposing weaknesses, Old
School""explores the ensuing deceptions and betrayals with an
unblinking eye and a bottomless store of empathy. The result is
further evidence that Wolff is an authentic American master.
A memoir of a young boy's unusual travels with his mother. The
author recreates his boyhood experiences, relating how he and his
mother travelled throughout the United States, and tracing his
experiences and changes from young boy to manhood against the
background of a violent and wildly optimistic America.
Our Story Begins combines twenty-one of Tobias Wolff's classic
stories with ten potent new works, spanning three decades and
confirming Wolff's status as a master of the genre. These stories
of war, morality, frustration, loneliness and love trace a path
through the everyday and the extraordinary, shedding a poignant yet
hopeful light on American life and the intricate truths of human
nature.
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Five Plays (Hardcover)
Anton Chekhov; Translated by Marina Brodskaya; Introduction by Tobias Wolff
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R2,321
Discovery Miles 23 210
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Ships in 10 - 15 working days
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Anton Pavlovich Chekhov (1860-1904) overturned the dramatic
conventions of his day and laid the groundwork for contemporary
approaches to directing and acting. Now, for the first time, the
full lyricism, humor, and pathos of his greatest plays are
available to an English-speaking audience. Marina Brodskaya's new
translations of "Ivanov," "The Seagull," "Uncle Vanya," "Three
Sisters," and "The Cherry Orchard" not only surpass in accuracy all
previous translations, but also provide the first complete English
text of the plays, restoring passages entirely omitted by her
predecessors. This much-needed volume renders Chekhov in language
that will move readers and theater audiences alike, making
accessible his wordplay, unstated implications, and innovations.
His characters' vulnerabilities, needs, and neuroses--their
humanity--emerge through their genuine, self-absorbed
conversations. The plays come to life as never before and will
surprise readers with their vivacity, originality, and relevance.
1935, Bacon County, Georgia. The bite of the Great Depression was
beginning to be felt in the rest of America, but its teeth had been
in Bacon County for years. Here one of America's most original
storytellers, Harry Crews, was born in a sharecropper's cabin at
the end of a dirt road. A Childhood is his memoir of that time -
his first years of life - and that place: the poor soil and the
sickness, the blood feuds and the faith healers, the ghosts and the
shopping catalogues. A profound vision of the rural South that
resounds with the violence of poverty and the tenderness of
kinship, A Childhood is a true American classic.
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Five Plays (Paperback)
Anton Chekhov; Translated by Marina Brodskaya; Introduction by Tobias Wolff
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R559
R469
Discovery Miles 4 690
Save R90 (16%)
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Ships in 10 - 15 working days
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Anton Pavlovich Chekhov (1860-1904) overturned the dramatic
conventions of his day and laid the groundwork for contemporary
approaches to directing and acting. Now, for the first time, the
full lyricism, humor, and pathos of his greatest plays are
available to an English-speaking audience. Marina Brodskaya's new
translations of "Ivanov," "The Seagull," "Uncle Vanya," "Three
Sisters," and "The Cherry Orchard" not only surpass in accuracy all
previous translations, but also provide the first complete English
text of the plays, restoring passages entirely omitted by her
predecessors. This much-needed volume renders Chekhov in language
that will move readers and theater audiences alike, making
accessible his wordplay, unstated implications, and innovations.
His characters' vulnerabilities, needs, and neuroses--their
humanity--emerge through their genuine, self-absorbed
conversations. The plays come to life as never before and will
surprise readers with their vivacity, originality, and relevance.
Spirituality, sex, violence, guilt, and morality in stories that
are filled with a generosity and tenderness that distinguishes the
masterful short fiction writer, Andre Dubus. This third volume in
the Collected Short Stories and Novellas by Andre Dubus includes
the four novellas and two stories collected in The Last Worthless
Evening, the novella, Voices from the Moon, plus previously
uncollected stories—all with an introduction by Tobias Wolff.
“It’s divorce that did it,” his father had said last night.
So begins Voices from the Moon, the 126-page novella that takes
place over the course of a single day and alternates between the
viewpoints of Richie Stowe, a serious twelve-year-old who plans to
become a priest, and the five other members of his family. The
stories from The Last Worthless Evening range further than in any
previous Dubus collection: racial tension in the Navy; a detective
story homage; a Hispanic shortstop; the unlikely pairing of an
eleven-year-old kid and a dangerous Vietnam vet. Finally, this
volume includes previously uncollected stories, including work from
the mid-1960s and the late 1990s. The earliest story appearing here
is “The Cross Country Runner”—first published in the
Midwestern University Quarterly in 1966 when Dubus was 30 years
old. The final story—the western-themed “Sisters”—is the
last piece of fiction Dubus was working on when he died suddenly in
1999 at the age of 63. Collected Short Stories and Novellas by
Andre Dubus includes We Don’t Live Here Anymore, The Winter
Father, and The Cross Country Runner. All three contain work by an
American master, perfect for anyone who loves stories of the human
heart and where it can lead us.
To American soldiers in Vietnam, "back in the world" meant America and safety. To Tobias Wolff's characters, Back in the World is where lives that have veered out of control just might become normal again. Unfortunately, the men and women in these gripping, pungent, and wonderfully skewed stories have only the vaguest notion of what normal is. A gentle priest finds himself in a Vegas hotel with a hysterical, sun-burned stranger. A show-biz hopeful undergoes a dubious audition in a hearse speeding across the California desert. An aging soldier is distracted from a night of philandering by a gun-toting neighbor and a suicidal enlisted man. As he moves among these unfortunates, Wolff observes the disparity between their realities and their dreams, in ten stories of exhilarating lucidity and grace.
Stories included are: "The Missing Person," "Say Yes," "The Poor Are Always With Us," "Sister," "Soldier's Joy," "Desert Breakdown," "Our Story Begins," "Leviathan," and "The Rich Brother."
"Terrific...The magic of his fiction cannot be explained. It is the ancient art of the master storyteller."--Tim O'Brien
Studienarbeit aus dem Jahr 2007 im Fachbereich Politik -
Internationale Politik - Region: Russland, Lander der ehemal.
Sowjetunion, Note: 2,0, Rheinisch-Westfalische Technische
Hochschule Aachen, 28 Quellen im Literaturverzeichnis, Sprache:
Deutsch, Abstract: Seit dem Zerfall der Sowjetunion 1991
beschreitet Russland den schwierigen und muheseligen Weg der
Transformation von einem diktatorischen, planwirtschaftlichen Staat
in eine prasidiale Marktwirtschaft. Die Verfassung von 1993
bezeichnete Russland als demokratischen, foderalen Rechtsstaat mit
republikanischer Regierungsform und legte einen Grundrechtskatalog
fest." Beim ersten Lesen des Zitats entsteht der Eindruck, dass
Russland nach dem Zerfall des Ostblocks gute Fortschritte in
Richtung Demokratie macht. Die Wirtschaft wird nicht mehr zentral
gelenkt, es wurde eine Verfassung erlassen, in der Russland schon
als demokratischer und foderaler Rechtsstaat bezeichnet wird. Dies
ist aber definitiv nicht der Fall: Russland hat die Konsolidierung
nicht geschafft und besitzt eine defekte Demokratie. Um diese These
begrunden zu konnen, wird wie folgt vorgegangen. In dieser
Hausarbeit wird die Systemtransformation eines autoritaren hin zu
einem demokratischen Systems vorgestellt. Dies geschieht zunachst
in einem theoretischen Teil, in dem die Grundaspekte und Begriffe
definiert und erlautert werden. Zunachst wird der Begriff
Demokratie nochmals definiert, um anschliessend eine defekte
Demokratie klassifizieren zu konnen. Anschliessend werden
autoritare und totalitare Regime erklart. Als nachstes werden die
Begriffe der Transformation naher gebracht. Diese sind in der
zeitlich korrekten Abfolge erklart, um verstehen zu konnen, wie
eine Systemtransformation zustande kommen kann. Fortfolgend werden
vier Transformationstheorien vorgestellt, die dazu dienen sollen,
die Erfolgs- und Misserfolgsbedingungen in sozialen Teilsystemen zu
suchen. Als letztes im theoretischen Teil wird die embedded
democracy vorgestellt, mit der
Studienarbeit aus dem Jahr 2005 im Fachbereich Politik - Politische
Systeme - Historisches, Note: 2,0, Rheinisch-Westfalische
Technische Hochschule Aachen (Institut fur Politische
Wissenschaft), Veranstaltung: Grundkurs-Tutorium, 26 Quellen im
Literaturverzeichnis, Sprache: Deutsch, Abstract: Mit der
sowjetischen Note vom 27. November 1958 an die drei Westmachte und
die Bundesrepublik Deutschland (BRD), das sogenannte Berlin
Ultimatum" loste Chruschtschow, Erster Sekretar des Zentralkomitees
(ZK) der Kommunistischen Partei der Sowjetunion (KpdSU) und
Vorsitzender des Ministerrates der UdSSR, am 10. November 1958 die
zweite Berlinkrise aus. Die Note beinhaltete, dass die westliche
Besatzung Berlins unrechtmassig sei, da ganz Berlin auf dem
Territorium der DDR liegt. West-Berlin soll zu einer
selbststandigen politischen Einheit und Freien Stadt umgewandelt
werden. Ist dies durchgefuhrt, dann ist die DDR auf ihrem
Territorium, inklusive aller Verbindungswege nach West-Berlin,
souveran. Danach werde es keine Vier-Machte-Kontakte mehr geben.
Mit dieser Note unterstutze Chruschtschow Walter Ulbricht, erster
Sekretar des ZK in der DDR, mit dessen Rede am 27. Oktober 1958, in
der er sagte: Ganz Berlin liegt auf dem Territorium der Deutschen
Demokratischen Republik. Ganz Berlin gehort zum Hoheitsbereich der
Deutschen Demokratischen Republik." Nun gilt es zu prufen, ob der
Mauerbau ein Resultat eines schwelenden, langanhaltenden Konfliktes
zwischen den beiden Supermachten USA und UdSSR war oder ob es sich
um eine Kurzschlussreaktion seitens der DDR-Regierung mit Duldung
der Sowjetunion handelt. Es muss auch geklart werden, ob die
westdeutsche Regierung um Adenauer zu wenig gegen die Teilung
Berlins tat oder ob sie wirklich ohnmachtig war. Die These der
Arbeit ist, dass die DDR-Regierung den Mauerbau als letzte Chance
sah, um deren Untergang zu verhindern aufgrund der starken
Republikflucht. Seit der Grundung beider Staaten im Jahre 1949 bis
zum Mauerbau im Jahre 1961 verl
Culled from over one hundred prestigious writing programs around
the United States and Canada, "Best New American Voices 2000"
offers a remarkable panoply of writing talent that showcases the
literary stars of tomorrow. Included here are twenty of the finest
stories to come out of such programs as Breadloaf, the Sewanee
Conference, the Banff Centre for the Arts, the University of Iowa,
and the PEN/Prison Writing Committee, as nominated by the directors
of those programs. Represented are all facets of North American
life, a diverse collection of visions and voices that will satisfy
the most exacting of short-story readers. This dynamic collection
is must-reading for all fans of innovative, cutting-edge new
writing.
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